Narrator

Rory Barnett

Rory Barnett
  • Inspired by the author’s own experience, The Vicar introduces Terry Nolan, an MI5 operative who, when he discovers his cover is blown and millions of lives are at stake, will do whatever it takes to stop enemy forces.

    Terry Nolan, an off-the-books MI5 operative known as the Vicar, has been officially dead for the past thirty years. But when Nolan is attacked in Boston, it becomes clear his cover is blown. Even worse, his Parishioners—the network of spies who work under the Vicar—have all been compromised.

    Nolan races to New York to try and find his last remaining agent, Shae, whom he personally recruited years ago. Instead, he finds Kristen, a young civilian who is determined to save Shae, too—and who may know more than she’s letting on.

    In the search for his missing agent, Nolan intercepts intelligence that indicates weapons of mass destruction are on their way to Britain’s four largest cities. Working directly with the ruthless head of MI5, Nolan must call upon all his clandestine skills to save the final Parishioner and find out who is behind the attacks and why. But he’s playing a dangerous game, and the dark secrets of his past are about to catch up with him.

  • Dr. Amy Winslow tells the story: in foggy, nighttime San Francisco a jogging SFPD captain is savagely attacked by a Bengal tiger which then vanishes. In her ER, Amy labors unsuccessfully to save the captain’s life, then consoles his aggrieved closest friend, Lt. Luis Ortega. Neither suspects their lives will intertwine in a life-or-death mystery.

    The next day, checking on former patient Mrs. Hudson at her Victorian house isolated in Marin County’s forest, Amy discovers in the cellar a secret, cobweb-covered 1899 electrochemical laboratory containing a Jules Verne–esque steam-punk sarcophagus out of which springs a wild-eyed, half-mummified, crypt-keeper-like man who injects himself with something before falling dead at her feet. Amy barely revives him.

    He claims to be a real-life Victorian master chemist and detective named Holmes, who allowed Conan Doyle to write stories based on his cases, though was slightly annoyed when Doyle changed his real first name to the catchier Sherlock. Becoming uninspired by 1890s crime, Holmes devised this method to hibernate for a century to investigate future mysteries.

    Amy assumes he’s a lunatic. His Scotland Yard identity papers were stolen while he slept, so it takes her a while to realize his amazing story is true.

    Respectably handsome when cleaned up, Holmes is still the same brash, egoistic, über-English, cocaine-addicted, non-feminist genius—but now a century out of sync—so his still-brilliant deductions are sometimes laughably or dangerously wrong. Holmes and Amy, his reluctant new Watson, find themselves unexpectedly attracted to each other while perilously involved in reclaiming his proof of identity, aided by cyber-savvy street teen Zapper. It’s all connected to the horrific death-by-tiger, only the first of several bizarre, mystifying murders being committed by an exquisitely fiendish descendant of Holmes’ Victorian archenemy, Professor Moriarty.

    The tone is classic Holmes—plus a refreshing twist of fish-out-of-water humor with a surprising spark of real romance.